Hey everybody, I wish I had this article when I first started producing music, back in the mid-90s. If you’re just starting out, the only thing you need to have on your mind is that everybody starts somewhere. Yeah, I know it’s a cliche but it would’ve never been a cliche if it wasn’t true. I’m not going to tell you it’s easy or fast, it is quite a big project to take on but these days it doesn’t have to take years for you to master it. I really believe the world is progressing much faster, and with it, the young generation of new musicians.
The answer to this question is pretty simple; Anybody who really want to. Real passionate people who want to be musicians don’t wait for someone to give them a pass or any validation. They just get up and go for it. That’s exactly what you need to do. Hack, These days it doesn’t even cost you money. You already have a computer, and you already have a cool microphone on your phone if you really need it. So you already own a small studio.
Well, as you’ve already guessed it, it’s a personal thing for each and every one of us. The pace of progress is very individual. But if you want an actual timeline, I can tell you I’ve seen people who are making music for literally years and they’re only “ok”. And there are countless examples for kids only 17 years old that are making international hits on their laptops.
The minute you decide it with all your heart. If you’re not 100% crazy about it, don’t start because you’d get tired and drop it forever, It should be pure fun.
I have a good friend who was a Gardner for most of his adult life. He’s playing guitar here and there and loves it a lot. At age 45 he decided to start producing music and doing live shows as an engineer. Today, after 5 years, he makes his living off of music production, mixing engineering and live shows. He’s very happy about it and has mowed no lawn for a long time.
First, you have to decide what kind of music you would like to create. For most cases, if you have a computer, you’re already halfway there, and I’m totally serious. If you’re planning to make electronic music that is only computer-based, you practically need nothing else more than that to start producing music.
If you want to make your first recordings, really use whatever you have around you. If you have an Apple Macbook, you already have a very nice sound card. If you have an Apple iPhone, you already have a very cool Mic setup. iPhones have a brilliant microphone! Now don’t let it sound as if I’m an Apple fanboy. There are a lot of good phones and laptops from other companies.
If you think I’m kidding about the iPhone mic, you need to know that I’ve recorded a whole song and released it to the world using only my iPhone 6s Mic. This was long after I already had my studio with very expensive microphones and preamps. “Why”, you ask? I needed to make a point to myself and for some people who don’t really understand the power of these little microphones on our cell phones. Check out this post – Use iPhone As A Microphone
After you learn to record with what you have, it’s safe to buy more advanced gear. That way you’d be more appreciative about what you buy and you’ll know the difference right away. This is also an important growing stage. If you start with the best, you sometimes can’t appreciate what you have.
This is not about money, it’s about your relationship with the tools. Let’s talk about marriage for a second here, finding the perfect mate is a real challenge. No one can promise you the first try will be successful forever. It’s the same with DAWs. You can try three or four until you find the one that’s perfect for you.
To be exact, the DAW is a direct extension of your creative mind. So it’s very important for you to find that perfect correlation between your mind and your DAW. When I first started producing music I started with a little DOS application called “Impulse Tracker”. It was all I had, and I loved it! After that came new and much better applications and moved on and my creation got a lot better.
I guess what I’m trying to say is, learn and try few DAWs for a while, until you find the perfect match for you. For me specifically, it‘s Logic Pro and Cubase.
That’s your main instrument if you want to produce music. You don’t have to be a professional pianist, you just have to learn your way around the white and black keys. Just the basics. The better you get on the keyboard, the better you’ll get at understanding music. I wrote about it more in these two articles.
Ear Training Methods
Music Producer Requirements
Absolutely! I even think that limitation is a good thing for music producers. It encourages creativity and an open mind. Today’s phones are so much more than what the Beatles had back when they first started with a 4 track tape machine…
Don’t get me wrong, I’m one of those producers who like to have every possible tool in their arsenal. But guess what, 90% of the times I get stuck it’s because of too many tools in my toolbox. I often get myself creatively unstuck just by limiting myself with much fewer options. Trust me, it works. Check this guy out, he produced a song for Kendrick Lamar and used his iPhone as a DAW.
As a matter of fact, it does. If you want to record live instruments and use speakers, you have to have some kind of acoustic treatment. I’m not going to get too deep on this subject because there’s a lot of information outside.
But it’ll be a good idea to think about it and definitely do something with it. If you want to build an actual studio in your house, ok, go for it, even get a professional to build something specifically for you. If you don’t want to get into too many expenses you can start with a carpet on the floor, a sofa or a bad in the room can help. In general, the more you fill your room with stuff that breaks the sound waves the less reverb you have in your space and that’s a good thing.
You can also locate your setup in different places around the room to look for a good sweet spot. Treat the corner with bass traps would also be a very good idea. Make sure that the surrounding of the speakers will be the same on both sides. The whole secret for a stereo balanced setup is what you have around the monitors.
Well, this is really all down to personal preference. Some people can do everything on their own, some need someone to show them the way, and some can mix between the two methods. This is probably the best way to choose.
You must be able to learn stuff on your own and poses that skill, but you can also save a lot of time by just learning from others instead of just taking years to learn on your own as I did. Back in the 90s, I don’t think we had a lot of sources to learn from. The best I had was music and audio magazines and my own personal trial and error.
I recommend purchasing online courses for the specific things you want to learn and all the rest just does your own thing. Of course in these cases, big ol’ YouTube is your best friend.
Starting making music is exactly like starting a hobby. If you enjoy it, you just start doing it and get better as you go. Some will only get so far and some will rise to greatness. The main point of this post is to get you to understand that it is not unachievable, and it’s not reserved only for the super blessed or the very educated. Some of the biggest producers and musicians started with zero formal music education or any academic knowledge. You can become a great musician or a producer or a songwriter if you really want to do it and work for it every day. It reminds me a will smith quote:
“You don’t set out to build a wall. You don’t say ‘I’m going to build the biggest, baddest, greatest wall that’s ever been built.’ You don’t start there. You say, ‘I’m going to lay this brick as perfectly as a brick can be laid. You do that every single day. And soon you have a wall.”